Search The Collection

Filter By

Object Type / Material

Geographic Location

Date / Era

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 643 results

Sort By:

Plate 23: An ichthyocentaur fights against a dragon, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie

Pietro Santi Bartoli

1650–77

Plate 34: Medea carrying her murdered children on a chariot driven by dragons, from a series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie

Pietro Santi Bartoli

1650–77

The Supper in the House of Simon Pharisee

Giuseppe Maria Mitelli

1660

Plate 52: The last supper; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael

Pietro Aquila

1675

Mythological characters, one at the right holding a flowing vase with a bird overhead, a reclining nude male at left, with other decorative figures, vases, and scenes, after the Assembly of the Gods vault frescoes (1624-25) by Giovanni Lanfranco in the Villa Borghese, Rome

Pietro Aquila

ca. 1670–91

Plate 8: Adam and Eve laboring as Cain and Abel play in the foreground; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael

Cesare Fantetti

1675

The Holy Family fed by Angels
Pietro Testa
ca. 1642–44

Plate 27: Joseph escapes Zuleika, wife of Potiphar; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael

Cesare Fantetti

1675

The busts of an old man, a boy, and a young woman, from a series of twenty-two engravings after Guercino's drawing book, Book on the Principles of Drawing, plate 14

Oliviero Gatti

1619

Decorative figures, vases, and scenes, after the Assembly of the Gods vault frescoes (1624-25) by Giovanni Lanfranco in the Villa Borghese, Rome

Pietro Aquila

ca. 1670–91

Justice seated at center holding fasces, criminals wait to meet her at right, to her left a woman probably representing Abundance distributes coins to people below, from "Heroicae Virtutis Imagines" after the frescoes by Pietro da Cortona in the Sala di Marte of the Palazzo Pitti, Florence

Jacques Blondeau

ca. 1677

Joseph Teftana

17th century

Plate 36: Moses showing the Tablets of the Law to the Israelites; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael

Cesare Fantetti

1675

Plate 34: The Israelites gathered around the Golden Calf in adoration; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael

Cesare Fantetti

1675

Bust of a young woman holding an open book, reading, from a series of twenty-two engravings after Guercino's drawing book, Book on the Principles of Drawing, plate 18

Oliviero Gatti

1619

Young man resting his head in his left hand, from a series of twenty engravings after Guercino's Libro dei disegni

Francesco Curti

1635–40

Architettura Con Diversi Ornamenti: Libro Secondo- Libro Quinto

Giovanni Battista Montano

1684

Series of Cartouche Designs and Coats of Arms

Agostino (Stanzani) Mitelli

ca. 1650–99

Neptune with his trident in his left hand, from a series of twenty engravings after Guercino's Libro dei disegni

Francesco Curti

1635–40

Plate 8: Conspirators against the Medici with members of the Cavalry on rearing horses, from a series of 15 plates depicting designs for the wainscotting under the Vatican tapestries in the Sistine Chapel

Pietro Santi Bartoli

1650–75

Woodcutter, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 29

Giuseppe Maria Mitelli

1660

Young boy wearing a beret, looking downward, from a series of twenty engravings after Guercino's Libro dei disegni

Francesco Curti

1635–40

Plate 42: David and Goliath; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael

Pietro Aquila

1675

Plate 4: Hercules resting, wrapped in the hide of the Nemean lion; to the left is the Erymanthian wild boar, the three-headed dog Cerberus, the hind of Ceryneia, and a harpy seated on a pedestal; from Imagines Farnesiani Cubiculi Cum ipsarum monocromatibus et ornamentis

Pietro Aquila

1670–92

The sacrifice to Priapus who is in the form of a statue in the centre, Bacchus and a satyr at the left
Master of the Die
1530–60

The Lamb Butcher, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 20

Giuseppe Maria Mitelli

printed 1740

Plate 13: Cardinal Giovanni de' Medici leading a procession of clergymem on the way to Rome in order to participate to the conclave

Pietro Santi Bartoli

ca. 1655–76

The Genius of Castiglione
Giovanni Benedetto Castiglione (Il Grechetto)
ca. 1645–47 (published 1648)

An allegory of painting, who as a child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing
Pietro Testa
1637–38

Procession of men, women and animals walking to the right, mules loaded with goods at left and center, bulls and camels in the background, horses and a boar at right, after Polidoro da Caravaggio

Pietro Santi Bartoli

1650–91

Man Subduing a Harpy, Seated on Its Back, Pulling Its Hair, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII

Giuseppe Maria Mitelli

1663

Man Subduing a Harpy, with His Two Hands Bearing Down on the Harpy's Head, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII

Giuseppe Maria Mitelli

1663

Frontispiece depicting two lions above a scroll facing the Medici coat of arms with ribbons and branches terminating in male figures on either side, from a series of 15 plates depicting designs for the wainscotting under the Vatican tapestries in the Sistine Chapel

Pietro Santi Bartoli

1650–70

Man Carrying a Butchered Pig, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 21

Giuseppe Maria Mitelli

printed 1740

Palazzo delli Re d'Inghilterra

Pietro Ferrerio

1655

Mason, from Di Bologna l'Arti per via D'An.ibal' Ca.rac, plate 10

Giuseppe Maria Mitelli

1660

The central group of the Assumption of the Virgin, Mary in the clouds with arms outstretched at right, musical angels throughout, after Correggio's frescoes from the cupola of the Parma Cathedral

Giovanni Battista Vanni

1642

Nuova Racolta di Fontane...

Giovanni Giacomo De Rossi

1618

Six Eye Studies, from a series of twenty-two engravings after Guercino's drawing book, Book on the Principles of Drawing

Oliviero Gatti

1619

Plate 19: Isaac, lying in bed, blesses Jacob who kneels before him; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael

Cesare Fantetti

1675